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Item #SA340 /  $2,000

R. T. Frazier Model 3316

"IMPROVED MONTANA STERLING AND NICKEL-HORN TREE"

The most striking features of this saddle are found in the horn and the conchos.  This gentleman's saddle is ornately adorned with Sterling Silver conchos of a nature which we have only seen in one other place: the Frazier Catalog #37.  It is shown as Model 3316, "IMPROVED MONTANA STERLING HORN TREE---FIFTEEN INCH SWELL FORK".  At the time, the hefty price of $90 for a saddle was only realized for the best saddles by the most skilled saddle makers.

This Improved Montana Sterling Horn Tree saddle is a beautifully crafted original High-back Pueblo Saddle, maker marked on both fenders and the front of the seat: "R. T. FRAZIER / MAKER / PUEBLO, COLO" and the front of the cantle "R. T. FRAZIER / PUEBLO / R'G'D. TRADEMARK".  The initials "T. K." are stamped into the back of the cantle and it is evident that there was a plaque placed over them at some point, no longer present.  There are very worn initials "E. H." on the front of the cantle, one initial on each side of the maker mark.

All the saddle strings are present, each pair of strings anchored with eight "8-point star" conchos.  They are probably nickel or monel and NOT Sterling silver and they show signs of old lacquering.  There is a very nicely done old repair on one of the fenders, one of the nicest examples of post-manufacture old ranch repair stitching work we've seen done.  There is still some fleece retained on the underside of this saddle, though it is completely worn and has extensive patches of bare leather.  There is a buckle strap to the right of the horn on the cantle that is pretty much gone.  The stirrups are original and absolutely beautiful, as is the leather throughout the length of breadth of this work of art.

The stunning Sterling Silver conchos are unmistakably those of Frazier's Model 3316.  All four of the original Sterling Conchos on the upper skirt (jockey) are present.  They are exceptionally thick (1/8" Sterling) and measure 2 & 1/2" in diameter.  The pattern is immensely interesting and involved.  The center is decorated with a stylized flower consisting of a flat disk in the center surrounded by 'petal' dots.  This center "medallion" is then ringed by an alternating pattern of vine and flower.  This pattern is repeated in the larger Sterling Conchos that are on the lower skirt.  The saddle was originally produced with 4 of these larger 3" conchos - but there is only one remaining on this saddle (silver was money in those days).   The remaining lower Concho is a wonderful portrayal of using the precious metal adornments.  This one was in the process of being pirated as well and only about 3/4 of it remains!

The saddle has a beautiful cut that gives a flare to the back end of the skirt, emphasizing the forward cant of the front horn and pommel.  We believe the saddle horn is most likely made of nickel.  It has a beautiful luster to it and polishes up nicely.

The cantle is 6" high as measured from the base of the saddle to the top.  The fenders are 18" from top to bottom.  The stirrups are 6" at the widest point and 7" from top to bottom.  The saddle is 29" in overall length when measured at the bottom of the skirt-- CLASSIC PUEBLO STYLE!   This saddle was built with only a front cinch present.  The engineering of this saddle is beautifully shown in the rigging under the jockey-- using multiple points of anchor to ensure a safe seat.   The original cinch leather is present, still attached to the D-rings as it was left by the last rider, when he put it up for the last time.  

What a stellar example of this maker's masterpieces of working art.  This saddle was most definitely owned by a boss-- rancher, mine overseer, banker or other man of means.  The beauty and the history of this heavy classic is overwhelming.

About The Maker:

Robert Thompson Frasier (Oct. 3, 1850 - July 27, 1931) was one of the three premier Pueblo saddle makers (Along with Gallup and Flynn) who were instrumental in the development of the Western saddle as it is today.  He took the saddle as it was in the late 1880's -- an undependable, uncomfortable piece of equipment that was liable to come off the horse and break the horn or tree while chasing and roping cattle and turned it into a strong and sturdy, reliable, comfortable piece of equipment that was so well-made and beautifully adorned that it became much more than the sum of its' parts-- it became the status symbol that was The Pueblo Saddle.  

The first Pueblo saddles were made by S. G. Gallup (of Gallup and Gallatin) in 1870.  R. T. Frasier went to work for Gallup in 1880 after fighting in the Civil War and a period in the 1870's as Deputy Sheriff in Leadville where he also opened a saddle shop.  Taught saddlemaking by his father, he was an avid researcher and innovator who worked extensively with cowpunchers to create the perfect seat.  The high swell and deep cantle made riding safer when working with herds of rough animals in difficult terrain. The saddles were often double-cinched, which increased the stability for the rider.  Advancing the invention [by Texans Joseph and Harry Still] of a cast iron horn instead of the old wooden horn, Frasier was the first to use polished brass or nickel exposed horns.  Frasier did offer many saddles which were made with a leather-covered steel horn screwed to the tree after improving the features to better serve ropers and cowpunchers. The exposed-horns were not useful for roping and the resulting saddles were generally the property of ranchers and other people of high means and society. The Pueblo saddles had skirts were enlarged to protect the horse and rider from the additional gear they were carrying.

Frasier made a deal with the Miller Brother's to supply their renowned 101 Wild West Show with saddles for their Cowboys and Cowgirls.  His double-rig was perfect for a solid anchoring of the saddle and horse, as preferred by the cowboys in the area as well as by stunt-riders.  The saddles were heavy and made of thicker leather than other saddles, making them quite heavy, but last longer.  The weight led some riders of the time (especially those from Montana and Wyoming, where saddles tended to be single-rigging, light rigs) to call them "horse cripplers" but they continued to be incredibly popular.

R. T. Frazier Pueblo Saddle / Item #SA340 /   $2,000.

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Saddles Horsehair Bridles Quirts & Rawhide

G. S. Garcia Saddle Olsen Nolte Sterling William Haass Garcia Acorn Saddle Gabby Hayes Saddle Boyt Parade Saddle Set Risque Coggshall Bohlin Saddle/ Holster Bohlin Quick Draw S.D. Myers Frazier Nickel-Horn Frazier Cowboy (Early) Tom Flynn 101 Wild West Show Early Side Saddle Eagle Side Saddle Sacramento Saddlery Billy Cook - Carl Smith Lichtenberger Ferguson Hess & Hopkins Big Horn 15" Seat

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Updated: Thursday May 17, 2012

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Members: National Bit, Spur & Saddle Collector's Association

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